The smoke from the chimneys indicated the north-east wind. In the background, in gray-blue haze barely noticeable silhouette of sailing ships, cranes at the dock and smokestacks. The only bright spot in the whole canvas clear orange disk of the rising sun over the French town, deliquescent in troubled reflection sea water. All colors used in the painting вЂњImpression, SunriseвЂќ dull, muted. Bold dark brush strokes and unexpressed silhouettes leaving boats give a clear sense of the depth of the sea. Sanat Tarihi, DГ¶rdГјncГј BaskД±, VarlД±k YayД±nlarД±, Д°stanbul.In the foreground of the picture shows the sea in the blue-green colors, two fishing boats silhouette highlighted. BГјyГјk Ressamlar Monet, ГњГ§ГјncГј BasД±m, Koleksiyon YayД±ncД±lД±k, Д°stanbul. Empresyonistler AyrД±ntД±da Sanat, Д°kinci BasД±m, TГјrkiye Д°Еџ BankasД± KГјltГјr YayД±nlarД±, Д°stanbul. ГњnlГј Ressamlar HayatlarД± ve Eserleri, Birinci BaskД±, Hayalperest YayД±nevi, Д°stanbul. Monet, Birinci BasД±m, Taschen/Remzi Kitabevi, Д°stanbul. Monet's work was not only by name but by his character and his style as an ideal illustration of the impressionist painting. Reducing the color, the expression of everything with only two opposite colors (blue and orange), the ambiguity of the borderlines and the revival of vibrations in the air gap by brush strokes were the new technical elements.В 'Impression, Sunrise' The capture of a moment with the flare of the sun through the fog over the port of Le Havre in Normandy was the proof of a formal innovative conception. The narrative style in this table was brand new.

He tried to create the effect that the orange sun lights reflected in the light wavy water quickly change color. Monet, caught the moment when the sun began to shine orange. In almost all of his works, Monet tried to describe the shadows in the water and the reflections of light. The painter sometimes applied colors with intense brush strokes. The painting was not telling the scene but the moment. Monet was interested in the changing nature of light rather than pictorial content. Blue and gray-blue tones were used in the sky. Orange tones were used for reflection in the sun and water. Monet's palette was almost focused on the blue and orange relationship that complemented each other. Monet applied the thinned paint with light brush touches to describe the morning impressions. In the background, the steaming chimneys with the masts of the ships were vaguely noticeable in the fog. The port of Le Havre on the Normandy coast seemed to be covered in the morning mist. The name of the Impressionist style was thus seated.ДЄs can be seen in 'Impression, SunriseвЂњ, the point of departure of impressionism was light. The title of Leroy's critique was the exhibition of Impressionists. Louis Leroy named Monet's 'Impression, Sunrise' as the name of the whole group. The art critic Louis Leroy wrote the most serious critique of the exhibition. Even though the views of the critics on the exhibition are divided into two, the name of the new trend movement came from this exhibition.

Monet's 'Impression, Sunrise' in his work were among the exhibits. Monet's 'Impression, Sunrise' was among those exhibited. In 1874, this artist organization opened its first exhibition, which lasted one month, at Boulevard des Capucines in the studio of photographer Nadar.

They decided to open an exhibition organized and financed by them. In late 1873, a group of painters, including Monet, Renoir, CГ©zanne, Sisley, and Pissarro, gathered together. Impression, Sunrise, 1872, Oil on canvas, 48 вЂ‹вЂ‹x 63 cm, MusГ©e Marmottan, Paris, France.

Impression sunrise by claude monet